In pursuit of a more complex conversation around the role of religion and folklore in modern society, my work draws from all. What began as a love for polytheistic religions and pantheons of deities has morphed into a drawn-out exploration of Roman Catholicism and Christianity as a whole, and the modern repercussions of our society’s past reliance on the Church. My interests lie in morality, sin, and erosion.
Erosion of self, of thought, of society. The decay behind change, the change that is drowning underneath the surface of death.
To work life-size (or nearly that) has been a progressive goal. My works are best viewed in life and on a domestic wall, slotted amongst other pieces from which one can derive new contextual meanings. I do not paint for galleries; I paint for kitchens and living rooms.